T.M. Green
T.M. Green writes speculative fiction for readers who like to finish a book and reach for a search engine. The method is one impossible thing: a single novum set into the documented past, with every other fact left standing, so the history checks out and the impossible thing starts to feel merely undiscovered.
Every Face is No Face follows that idea across five novellas and 123 years, from an experiment in 1902 to the present day, tracing something that woke in the electrical grid and never left. The Lamarr Legacy makes the impossible thing smaller still: one decision, perfectly in character, after the Navy rejected Hedy Lamarr’s frequency-hopping patent in 1942.
The same curiosity runs elsewhere: Weights and Measures, a five-book sequence in which each volume re-reads the one before it from an irreconcilable point of view; How to Die Gracefully, a comic space opera; and quiet horror.
It began in sound engineering, including work with Factory Records, and ran through four decades of building software, alongside writing on AI ethics and explainable AI. A studio ear and an engineer’s eye turn out to serve a novelist well: both are trained to notice what does not quite fit.
